Dior staged its Summer 2027 Men’s Show on June 24 during Paris Fashion Week at the Musée Nissim de Camondo. The Paris museum, a Belle Époque residence, currently undergoes an extensive restoration. It holds major 18th-century decorative arts, and Dior used that setting to introduce Jonathan Anderson’s latest men’s collection for the house. For the show, Dior commissioned contemporary artist Giangiacomo Rossetti to create oil paintings for the venue. The works showed models in looks from the collection.
DIOR SPRING SUMMER 2027 LOOKS
The event drew a large guest list from music, film, television, sport and international entertainment. Mick Jagger attended, along with JIMIN, Drew Starkey, Louis Garrel, Lakeith Stanfield, Little Simz, Deng Wei, Mike Faist, James Marsden, Iris Apatow, Sam Nivola, Shake and Emmanuel Macchia.
Dior also welcomed JUHOON, SEONGHYEON and KEONHO from CORTIS, together with Paul Kircher, Robert Aramayo, Anthony Ippolito, Sophie Okonedo, Yu Shi, Chiwetel Ejiofor and Tomohisa Yamashita. Guitarricadelafuente, Chen Xingxu, Will Price, Connor Swindells, Filippo Scotti, Bassel Khaiat and Emmanuelle Seigner also attended. Dylan Ennis, Alexander Ludwig, Corentin Fila, Finnegan Oldfield, Mamadou Sidibé, Ahmed Malek and Sebastian Yatra completed the guest list.
Fred again.. created the sound for the show. The producer, songwriter, multi-instrumentalist and DJ built a custom mix for Dior that drew on music by KTNA, Mabe Fratti and Jamie T. Christine and the Queens contributed original vocals. The result gave the presentation a sound language based on sampled material, altered references and familiar elements placed in a new form.
Anderson applied a related method to the clothes. The Summer 2027 Men’s Collection examined recognizable Dior codes and shifted their treatment through cut, surface, texture and technique. A tuxedo kept its formal identity while taking a looser fit. Houndstooth appeared as a print. Polka dots covered garments through a continuous field of sequins.
A silk shirt carried embroidery based on a trompe l’oeil scarf motif from 1979 Dior haute couture. In footwear, Dior artisans replicated 19th-century embroidery by hand on a classic suede lace-up. Boots used woven surfaces with a deliberately dishevelled finish.
Accessories followed the same process of translation. A vintage zig-zag woven blanket became a bag. Cannage appeared on a spongy denim tote, changing one of Dior’s best-known codes through material and scale.
